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The Kollection (Vol. 3)
| October 5, 2020
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THE K RECOMMENDS (October)
Kollection | October 5, 2020
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Gas Me Daddy: Inside the Battle for Portland
Sean Edwards and Gabriel Fuente | October 5, 2020
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Morgan Saint is Honest (Meet the Pop Star We Promise will Love You Back)
Sean Edwards | October 5, 2020
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Rolling Stone Revisionist History (The Pros and Cons of the Updated Top 500 Albums List)
Max Pasion | October 5, 2020
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The Cycle of Cool in High School: The Stark Differences Between Millennials and Gen Z
Kian McHugh | September 8, 2020
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Shakespeare or SoundCloud Comment? (A Social Commentary)
Scott Delamare | September 8, 2020
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Still Swimming
Max Pasion | September 6, 2020
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A Comprehensive History of Techno and Finding God in the Music With Ellen Allien
Kian McHugh | August 3, 2020
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Influence in The New Age: Why Are You Obsessing Over the Self-Obsessed?
Paulette Ely | August 3, 2020
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Let’s Talk About Jazz (For Once) In 2020
Jacob Luna | August 3, 2020
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The 5 Radical Characters You Will Meet at Your Local Summer Protest
Sean Edwards | August 3, 2020
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The True Story of Rock and Roll: How Whitewashing Let Down the Black Voice
Caroline Peacock | August 3, 2020
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Cover A Cover Contest
Kollection | July 17, 2020
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KLCTN CONTEST: Cover A Cover (In Support Of Amoeba Records)
Kollection | May 15, 2020
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Making The Best of Viral Times (or The K’s Top Quarantine Albums)
Kollection | April 29, 2020
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The Chats Are Not Not Cool (Original Feature & Interview)
Kollection | April 16, 2020
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The Lock-In “Starry Night” Dance Kontest
Kollection | April 1, 2020
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Sundance Film Festival 2020 in Review
Bobby Jones | February 7, 2020
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The Kollection Presents: The 19 Best Albums of 2019
Kollection | December 25, 2019
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Freddie Dredd and the Doomshop Counterculture
Charlie Racz | December 3, 2019
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Billie Eilish: Making A Case For Murakami Working With Vera Hotsauce (WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? + Bring Me Down Streams)
Kian McHugh | March 28, 2019